The Asphalt Jungle (1950) | |
The Story (continued)
The headlines of a manhunt compel gunman Dix and Doc, the only at-large criminals, to leave Donato's. Meanwhile, the taxi-cab hackey that deposited Doc at Cobby's "bookie-joint" establishment reports to the police station and the commissioner about his recollections. On their way through an old railroad car barn, Doc and Dix are confronted by a night guard who recognizes the ex-convict, and Doc suffers a bloody head wound. They find refuge with Doll where she is staying (in the vacant apartment of a girlfriend). While hiding out at her place, Doc summarizes the problems and multiple bad breaks that doomed the heist:
Following the tip from the taxi-driver and with pressure from above, Lt. Ditrich is sent to Cobby's warehouse with a search warrant. In order to break the case, strong-armed Ditrich puts the heat (or squeeze) on the cringing Cobby, beats him up, and forces obedience from the cowardly bookie to "turn states" evidence and name his accomplices:
After Cobby betrays the gang for a better deal with the judge (and signs a confession), the police (with the commissioner) finally catch up with Emmerich at his cottage with Angela, where he is promising her a trip for a change of scenery (to "the coast, Florida, anywhere you like"). In the memorable scene, she proposes going to Cuba - a beach locale she's only read about in a magazine:
After Emmerich is threatened with arrest (for "complicity in robbery and in murder"), Angela is summoned from her room, where she insults Detective Andrews: "Haven't you bothered me enough, you big banana-head?! Just try breaking my door and Mr. Emmerich will throw you out of the house." She is questioned by the police commissioner about her false alibi and cover-up for him. Sensing problems and becoming "smart," Angela confesses the truth after being encouraged to do so by Emmerich. And then she apologizes and tearfully asks her sugar daddy about her trip to Cuba:
Shortly after, Emmerich, pens a note to his wife at his desk in his study ("Dearest May - Forgive me - I cannot bear to face what I have done to you I - "). But unable to face up to his crimes, he rips up the unfinished note and then shoots himself in a desperate act of suicide. In another part of town, the police find a family wake and last rites being conducted for the deceased Louis Ciavelli, and they arrest Gus and throw him behind bars near where Cobby has already been incarcerated. Dix and Doc read headlines of Emmerich's suicide (LAWYER EMMERICH SHOOTS SELF) - the well-educated and respected attorney who practiced in the city for over twenty five years committed suicide to avoid disgrace and exposure. Emmerich's poor judgment to avoid scandal, jail time and financial ruination disturbs Doc:
In their preparation to leave the area, Doc plans to take a taxi to the edge of town, and then be driven as far as Cleveland. He offers some of the stones, $50,000 worth, to Dix (in exchange for $1,000 in cash to finance his flight), but the 'hooligan' declines: "What would I do with 'em? Can you see me walkin' into a hock shop with that stuff? First they'd think they were phony, and then they'd yell for the riot squad." Doll looks longingly at the jewels as they are rejected, and sewn into Doc's outer coat. And Doc wisely refuses to carry a heater as a precautionary measure:
After the mastermind criminal leaves, Dix delivers a footnote tribute to the German, and then watches his departure from a window as he walks down a rain-slickened, dark street:
Doc hires a Globe company taxi-cab, driven by a fellow German named Franz Schurz, and bonds with him by speaking German. The driver agrees to drive Doc all the way to Cleveland - for a promised $50 tip. Doll purchases a getaway car for $400 for Dix, now that he has begun to bleed again from his side and wants to drive home to the Kentucky farm of his youth. The compassionate, supportive Doll vows to help him drive since he is weakened and is beginning to lapse in and out of consciousness: "I just want to be with you." With his avowed weakness and predilection for young nymphets, Doc is quickly captured by police on the outskirts of town - he is detained in a roadside cafe for a few critical minutes while feeding nickels to a young, well-endowed girl named Jeannie (Helene Stanley). Entranced, the pedophile voyeuristically watches the teenager's nubile figure as she gyrates and dances to jukebox music. Outside to the two officers, Doc admits sadly that his lingering delay of "two, three minutes" at the soda fountain - "about as long as it takes to play a phonograph record" - was all that it took to cause his arrest and loss of freedom. While he is slowly bleeding to death, Doll drives Dix to a Dr. Swanson (John Maxwell), who wryly states: "He hasn't got enough blood left in him to keep a chicken alive." When the suspicious doctor phones the police about the gunshot wound to inform on them, they hurriedly race to their car and drive off. Police Commissioner Hardy, pleased that "maybe we're getting somewhere at last" in the fight against crime, holds a press conference after the arrest of the duplicitous cop Lt. Ditrich (the one dishonest cop in a hundred). [Cobby undoubtedly finked on him.] During his impassioned, moralizing speech, Hardy turns on four radio speakers (lined up in a row) that broadcast crime reports (a robbery, two men with guns, a shooting and a strong-arm slugging), and then announces that crime doesn't pay. He creates sensational headlines for the media when he melodramatically postulates what the city (or entire world) would be like without urban law enforcement to keep back "the jungle" of career criminals ("predatory beasts...without human feeling or human mercy"):
In the final downbeat sequence, an ironic conclusion
following the commissioner's speech about police pursuit for a "hardened
killer,"
Dix drives furiously with Doll to his beloved Kentucky homeland to
fulfill his last obsession - his lost childhood dream. Hallucinating
with memories of the simple life he once experienced at the farm, he
mumbles to himself as it approaches, signaled by long rows of white
fences. Under the bright, sunny sky, he staggers into a bluegrass field
just outside his family's Kentucky Hickory Wood Farm. [Note: The scene
was filmed on location in Lexington, Kentucky.] In the lyrical ending,
he falls down exhausted and expires from his bleeding wound in the
meadow grass, amidst four grazing and nuzzling colts he had dreamed
of owning. |