1950
The winner is listed first, in CAPITAL letters.
Actor:
JOSE FERRER in "Cyrano de Bergerac", Louis Calhern
in "The Magnificent Yankee", William Holden in "Sunset
Boulevard", James Stewart in "Harvey", Spencer
Tracy in "Father of the Bride"
Actress:
JUDY HOLLIDAY in "Born Yesterday", Anne Baxter in "All
About Eve", Bette Davis in "All
About Eve", Eleanor Parker in "Caged", Gloria
Swanson in "Sunset
Boulevard"
Supporting Actor:
GEORGE SANDERS in "All
About Eve", Jeff Chandler in "Broken Arrow",
Edmund Gwenn in
"Mister 880", Sam Jaffe in "The
Asphalt Jungle", Erich von Stroheim in "Sunset
Boulevard"
Supporting Actress:
JOSEPHINE HULL in "Harvey", Hope Emerson in "Caged",
Celeste Holm in "All
About Eve", Nancy Olson in "Sunset
Boulevard", Thelma Ritter in "All
About Eve"
Director:
JOSEPH L. MANKIEWICZ for "All
About Eve", George Cukor for "Born Yesterday",
John Huston for "The Asphalt Jungle",
Carol Reed for "The
Third Man", Billy Wilder for "Sunset
Boulevard"
Many
Hollywood films and nominees in 1950 had their roots in Broadway,
as either their subject matter, or by the fact that the actors/actresses
had first created their Academy Award-winning or nominated
roles on the New York stage.
The Best Picture race at the start of the decade
was a race between five very different films, but one thing
was for sure - one of the nominees, director Joseph L. Mankiewicz's
witty, theatrical, backstage comedy and expose All
About Eve was the recipient of a record-breaking number
of nominations - fourteen! It was the first most-nominated
film with 14 bids in Oscar history. All
About Eve received more nominations than any
other picture in Oscar history - until James Cameron's Titanic
(1997) tied the record 47 years later.
The two front-runners in the race, All
About Eve and Sunset
Boulevard racked up a total of 25 nominations between
them.
All
About Eve won six Oscars - Best Picture (producer
Darryl F. Zanuck), Best Director and Best Writing: Screenplay
(both for director/writer Joseph L. Mankiewicz), Best Supporting
Actor, Best Costume Design (Edith Head again), and Best
Sound Recording. While targeting New York theatre life,
the film chronicled the intermingling lives of an aging
Broadway stage actress (Bette Davis), a cynical drama critic
(George Sanders), a young director, a playwriter (and his
wife), a pretty but untalented protege (a bit role for
Marilyn Monroe), and an aspiring and talented young actress
named Eve (Anne Baxter). [As an aside, the film reinvigorated
Bette Davis' career, and introduced her to cast member
and fourth husband Gary Merrill.] The film was full of
one-liners, including one of the most famous of all time,
spoken by Davis: "Fasten your seat belts, it's going
to be a bumpy night!"
Another Best Picture nominee, director George
Cukor's Born Yesterday (with five nominations and one
win - Best Actress), was an adaptation of Garson Kanin's Broadway
stage-play comedy about an uneducated, 'dumb blonde' mistress
(Judy Holliday) victimized by a rough-hewn and rude millionaire
junk dealer (Broderick Crawford). One of the losing nominees
was writer/co-director Billy Wilder's black comedy Sunset
Boulevard (with eleven nominations and three wins -
Best Writing: Story and Screenplay, Best B/W Art Direction
and Set Decoration, and Best Dramatic Score by Franz Waxman),
a combination horror/film noir that was both a tribute to film-making
and a searing film about Hollywood and one of its fading silent
screen stars of the past. [ Sunset
Boulevard was also distinguished as one of about a
dozen films in Academy history which had nominees in all four
acting categories.]
The other two nominees were the great MGM domestic
comedy - director Vincente Minnelli's Father of the Bride (with
three nominations and no wins) about the trials and tribulations
of an overwhelmed father preparing for his daughter's (Elizabeth
Taylor) wedding, and MGM's epic adventure film about explorers
looking for a fabled African diamond mine and a lost explorer-husband
- a colorful version of the H. Rider Haggard tales which was
filmed on exotic location by director Compton Bennett and Andrew
Marton, King
Solomon's Mines (with
three nominations and two wins - Best Color Cinematography
(Robert Surtees) and Best Film Editing (Ralph E. Winters and
Conrad A. Nervig)).
Joseph Mankiewicz, the previous year's twin Oscar
winner (for Best Director and Best Writing: Screenplay for A
Letter to Three Wives) repeated his two Oscar wins in 1950
as director and screenplay writer for All
About Eve . He became the first and only person
ever to win writing and directing Oscars in consecutive years.
His screenplay was based on Mary Orr's short story titled The
Wisdom of Eve.
Five of the cast of the Best Picture All
About Eve were nominated for acting roles, but
only one nominee of its cast was successful - George Sanders.
Four actresses in the film were nominated and all lost).
The film holds the record for having the most female acting
nominees:
- two as Best Actress - Bette Davis and Anne
Baxter
- two as Best Supporting Actress - Celeste Holm
and Thelma Ritter
The Best Actor race was won by Puerto Rican-born
Broadway star Jose Ferrer (with his second career nomination
and his sole Oscar win) - he was a versatile, well-known stage
actor/director in a virtuoso performance. He re-created his
stage role as the long-nosed, eloquent, 17th century poet-sword
duellist who helps his friend win a woman's love in the film
version of Edmond Rostand's classic romance directed by Michael
Gordon, Cyrano de Bergerac (the film's sole nomination).
(Ferrer received his first Oscar nomination two years
earlier for his screen debut as the Dauphin - a Best Supporting
Actor role in Joan of Arc (1948). His third and last
career nomination was for his Best Actor performance as dwarf
Toulouse-Lautrec in John Huston's biographical Moulin Rouge
(1952).)
Ferrer defeated four other well-qualified nominees:
- Louis Calhern (with his sole career nomination)
as Justice Oliver Wendell Holmes in the adapted play directed
by John Sturges, The Magnificent Yankee (with two
nominations and no wins). (Calhern was better known for his
roles in
Notorious
(1946), Annie Get Your Gun (1950), The
Asphalt Jungle (1950), Julius Caesar (1953),
and High Society (1956))
- Spencer Tracy (with his fourth of nine career
nominations) as Stanley T. Banks - the "father" of
only daughter and "bride" Elizabeth Taylor in Father
of the Bride. (Tracy had already won the only two
Oscars he would ever receive - for Captains
Courageous (1937) and Boys Town (1938))
- James Stewart (with his fourth career nomination)
as alcoholic Elwood P. Dowd who continually sees an imaginary,
6 foot-three invisible white rabbit named Harvey in director
Henry Koster's Harvey (with two nominations and one
win - Best Supporting Actress). (This was one of Stewart's
five career nominations (
Mr.
Smith Goes to Washington (1939), The
Philadelphia Story (1940) (the only Oscar he ever
won), It's
A Wonderful Life (1946), and Anatomy of a Murder
(1959))
- William Holden (with his first of three career
nominations) as the opportunistic screenwriter in
Sunset
Boulevard (1950). (Holden's sole Oscar win was for Stalag
17 (1953) followed by another nomination for Network
(1976).) Holden also starred in Born Yesterday that
was nominated for Best Picture.
The race for Best Actress was one of the best
in the history of the Academy Awards (four of the five nominees
were equally deserving). The winner of the Best Actress award
was rookie film actress Judy Holliday (with her sole career
nomination - and sole Oscar win for her first starring
film role) reprising her priceless Broadway role as "dumb
blonde" Billie Dawn, the bimbo mistress of a corrupt,
rude junk-man tycoon (Broderick Crawford) in Washington DC,
who is tutored with culture by a young, sensitive newspaperman
(William Holden). (A year earlier, Holliday played a small
part in her debut film Adam's Rib (1949).)
It was the only comedic role among the nominees.
Bette Davis (with her eighth career nomination)
had one of the greatest, most definitive, nominated roles of
her screen life as aging Broadway actress Margo Channing. Anne
Baxter (with her second and last career nomination) played
the role of a scheming and ruthless younger admirer and aspiring
actress Eve Harrington in the same film - All
About Eve. Although both Anne Baxter's and Bette Davis'
performances as competing co-stars were exceptional, they unfortunately
cancelled each other out due to the shared nomination. Interestingly,
their competitive tension for an Oscar was a repeat of their
rivalry in the film.
[Baxter had won a Best Supporting Actress Oscar
in 1945 for The Razor's Edge and so her studio 20th
Century Fox unwisely placed her in the running for a lead
award. She had little chance against her co-star Bette Davis
or Gloria Swanson, or even Judy Holliday. If she had been
placed among the Best Supporting Actress nominees, joining
nominated co-stars Celeste Holm and Thelma Ritter, she might
have defeated Josephine Hull, and that would have conclusively
given the Best Actress award to Davis rather than Judy Holliday.]
Immortal Gloria Swanson (with her third and last
unsuccessful career nomination) came out of retirement and
was nominated for her performance as a once-famous silent film
star Norma Desmond plotting a comeback in Sunset
Boulevard, one of the best films about Hollywood ever
made. Another nominee was Eleanor Parker (with her first of
three unsuccessful career nominations) for her hardened wife
and woman-in-prison role as Marie Allen in director John Cromwell's
prison drama Caged (with three nominations and no wins).
George Sanders (with his sole career nomination
- and Oscar win) won for his Best Supporting Actor role as
the skillfully, manipulative, conspiratorial and ascerbic-tongued
drama critic Addison DeWitt in All
About Eve. The other nominated Best Supporting Actor
roles that didn't win included:
- Sam Jaffe (with his sole career nomination)
as Doc Riedenschneider - the criminal mastermind of the safecracking
job in director John Huston's The
Asphalt Jungle. (Earlier in Jaffe's career, he had
played the High Lama in Capra's Lost
Horizon (1937) and the title role in the classic
adventure tale Gunga Din (1939))
- Erich von Stroheim (with his sole career nomination)
as the ex-director/valet-butler Max Von Mayerling who faithfully
serves former wife/silent film queen Gloria Swanson in
Sunset
Boulevard. (Earlier in his acting career, he appeared
in Grand Illusion (1937), and his directorial masterpiece
was Greed
(1924)) [Reportedly, von Stroheim was insulted by
his supporting nomination and threatened to sue Paramount]
- Jeff Chandler (with his sole career nomination)
as pacifist Apache Indian leader Cochise in director Delmer
Daves' Broken Arrow (with three nominations and no
wins), a pro-Indian western starring James Stewart
- Edmund Gwenn (with his second and last career
nomination) as a benevolent counterfeiter named Skipper in
director Edmund Goulding's comedy Mister 880 (the
film's sole nomination)
Josephine Hull (with her sole career nomination
- and Oscar win) won the Best Supporting Actress award for
her re-created role (from Broadway) as Stewart's exasperated,
distraught, long-suffering sister Veta Louise Simmons in Harvey.
(Hull earlier had also re-created her stage role in the un-nominated
film comedy about a poison-serving Aunt, Arsenic
and Old Lace (1944).) The other Best Supporting Actress
nominees included Nancy Olson (with her sole career nomination)
as aspiring screenwriter and ingenue Betty Schaefer in Sunset
Boulevard, and Hope Emerson (with her sole career nomination)
as sadistic prison guard Evelyn Harper in Caged. Two
co-stars of All
About Eve were nominated: Thelma Ritter (with her first
of six unsuccessful career nominations) as Birdie (Bette Davis'
maid), and Celeste Holm (with her third and last career nomination)
as Karen Richards.
As a footnote, rising sex starlet Marilyn Monroe
was featured in two nominated films (although un-nominated
herself) - as the dumb blonde stereotype character of Miss
Casswell ("an actress - a graduate of the Copacabana School
of Dramatic Art") in All
About Eve, and in a cameo role as Louis Calhern's mistress
in The Asphalt Jungle. She also
made her first and only Academy Award ceremony
appearance this year, presenting the Technical Achievement
Oscar.
Edith Head won two Best Costume Design awards
this year, one for a color film (Samson and Delilah),
and one for a black and white film ( All
About Eve).
The last of the big studio bosses received an
Honorary Award, MGM's Louis B. Mayer, "for distinguished
service to the motion picture industry."
Oscar Snubs and Omissions:
The most obvious omissions in 1950 involved British
director Carol Reed's three-time nominated thriller The
Third Man. Although justly awarded the Best Cinematography
Award (to Robert Krasker for his striking visuals) and nominated
for Best Director and Best Editing, the film was not nominated
for Best Picture, or Best Actor or Supporting Actor (for Orson
Welles as the evil Harry Lime) or Best Screenplay (for Graham
Greene's intelligent and suspenseful script), or for Anton
Karas's zither theme music.
An odd choice was made for Best Foreign Film
-- René Clément's The Walls of Malapaga (Fr/It).
Quite a few superb acting performances were neglected
this year, including:
- Marlon Brando as paraplegic WWII veteran Lt.
'Bud' Ken Wilozek in Fred Zinnemann's The Men (with
only one nomination for Carl Foreman's Best Writing, Story
and Screenplay)
- Gregory Peck as mustached, aging gunslinger
Jimmy Ringo in Henry King's noirish western The
Gunfighter (with only one nomination for Best Writing,
Motion Picture Story)
- Clifton Webb (with three previous career nominations
in 1944, 1946, and 1948 - all of which lost) as the stern
but loving patriarch and "efficiency expert" Frank
Bunker Gilbreth in Walter Lang's Cheaper By The Dozen (with
no nominations)
- Alec Guinness in a virtuoso performance as
eight different murder victims in an aristocratic clan in
Robert Hamer's comedy Kind Hearts and Coronets (UK) (with
no nominations)
- Kirk Douglas as jazz trumpet player Rick Martin,
Doris Day as band singer and Rick's supportive wife Jo Jordan,
and Lauren Bacall as disturbed and self-loathing Amy North
in director Michael Curtiz' Young Man with a Horn (with
no nominations)
- Joseph Cotten as pulp writer Holly Martins
in Carol Reed's
The
Third Man
- Sterling Hayden as small-town jewel crook
Dix Handley in John Huston's The Asphalt
Jungle
- James Stewart as vengeful Lin McAdam in Anthony
Mann's adult-psychological western Winchester '73 (with
no nominations)
Director John Huston was nominated for the astringent The
Asphalt Jungle, but his film was neglected and
un-nominated in the Best Picture category. Two other performances
deserved at least some recognition: Nicholas Ray's great film
noir In A Lonely Place with Humphrey Bogart
as a hard-drinking, violent screenwriter and Gloria Grahame
as a sympathetic love interest.
Although Spencer Tracy was nominated for Father
of the Bride, he and Katharine Hepburn were both
denied Oscar nominations for their inspired pairing as
dueling husband/wife lawyers in Adam's
Rib (the film's sole nomination was for its original
screenplay). And both John Wayne and Maureen O'Hara were
overlooked in John Ford's un-nominated Rio Grande,
Ford's third and last in his celebrated 'cavalry' trilogy.
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